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亚裔律师神操作：给客户立遗嘱，受益人写自己，客户全家“净身出户”……_我的网站

A |     Kenny 报道 奥克兰一位律师“拙劣地”让自己成为其客户全部遗产的唯一受益人，导致客户两个女儿身无分文。    

    A still from the movie Once Upon a Time in the Middle East starring Shen Teng Photo: ICYears after tackling social issues in the breakout hit film Dying to Survive, Chinese director Wen Muye returns with Once Upon a Time in the Middle East. The film opened nationwide in China on Tuesday, and, including advanced screenings, crossed 200 million yuan ($29.6 million) at the box office on its first day. 
It centers on an ordinary Chinese chef caught in the crossfire of war. Shen Teng stars as Xu Fu, a cook who travels to the fictional Middle Eastern capital of Bahata to repay family debts. There he joins forces with restaurant manager Ma Junsheng (actor Jiang Qiming) to run a Chinese eatery. When conflict erupts, the self-preserving every-man endures personal losses and gradually comes to protect local children. 
Produced by Ning Hao, the film continues Wen's signature focus on "little people," this time placing them far beyond China's borders.
In an interview with the Global Times, Wen talked about the project's connection to news reports of Chinese migrants who open restaurants overseas and forge quiet connections through food.
"Many Chinese people go abroad simply to make a living," he told the Global Times. "They open restaurants, use food to break down regional barriers, and form deep bonds with locals." 
The production team conducted extensive research and location scouting in the Middle East to capture everyday details. Elements such as free-running single-humped camels required overseas shoots; the resulting images of open space after confinement, Wen noted, carry a simple sense of hope.
Food functions as the film's central motif. 
"Food more often stands for happiness and peace," Wen explained. "Even in a war-torn environment, people still cannot do without three meals a day. That sounds basic, but after all the big things in life, what people care about most are the simplest things - eating a proper meal and taking care of family." 
A specialized food unit developed the dishes, and Shen trained extensively so that most of the wok-tossing sequences were performed by the actor himself, Wen said.
The film deliberately intercuts kitchen routines with combat sequences. 
"Three meals a day represent our longing for peaceful life, while war is the extreme act that destroys peaceful life on a large scale," Wen said. "When they collide, each becomes clearer: Food feels more ordered and full of happiness; war feels more chaotic and dark." 
He hopes the juxtaposition helps audiences recognize how hard-won ordinary peace really is.
Xu Fu's decision to shelter orphans never relies on lofty rhetoric, only a meal and a roof. Wen described this approach as rooted in a human-centered outlook rather than classic Western hero narratives. 
"We place more weight on humanism and the value of a person's existence. Our culture is about living well, studying well, eating well, and looking after children. No matter how large the events, three meals a day remain unavoidable. Food itself has warmth and can give people real strength when they are in a difficult situation," Wen said. 
The director noted that he wants viewers to leave with the plainest conviction: live properly, eat properly, and cherish the peace that exists in the present.
On balancing personal expression with commercial reach, Wen kept his principle simple: "Make the film well and tell the story well. I try to put what I want to express into foreshadowing and details without hurting the viewing experience. If audiences notice those details, I will be glad. If they do not, it does not affect the normal narrative."
From Dying to Survive and Miracle: Stupid Kid to the new film, Wen's view of human complexity has remained consistent. "People have many different sides. They face different circumstances and make different choices." 
The through-line, he added, is the same plain belief: "Being able to enjoy a proper meal is the greatest happiness."
Early audience response has been overwhelmingly positive. Advanced screenings delivered scores of 9.7-9.8 on major Chinese platforms including ticketing platform Maoyan. 
Many entered expecting a light Shen Teng comedy and left in tears, describing the experience as "laughing then crying." Shen's restrained performance has drawn particular praise, with some calling it the strongest of his career. Jiang's supporting work has also been widely noted.
Moviegoers have frequently highlighted the film's refusal to deliver speeches. Its focus on daily meals and small acts of care lands more powerfully than any slogan. 
On the depiction of the conflict, audiences observe that the movie offers a perspective that "flips the Hollywood script" by casting the US as the invader, while refusing to portray US soldiers as pure villains. Instead they appear as ordinary young men: loose in discipline and marked by the alienation of war.
Both Chinese and overseas viewers have singled out this measured approach as part of the film's distinctive Chinese viewpoint: It sidesteps both Western hero narratives and simple demonization. Some international comments note that by staying with ordinary lives rather than choosing geopolitical sides, the story offers a different lens on conflict.
One widely circulated comment from a popular Chinese self-media account on WeChat captured the film's ambition: "You can think of this film as a blend of Casablanca, Schindler's List, and The Shawshank Redemption, yet at its core lies the same grounded human compassion found in Dying to Survive. This is a highly successful attempt by Chinese filmmakers to surpass Hollywood. It is the first Chinese film that truly possesses a global vision and a professional sense of international storytelling. It is also a gift of warmth and goodwill from the Chinese people to a world still torn by war and cruelty."
。

B | 法院要求他为这一荒谬错误支付2.2万纽币。         本周律师和产权事务纪律法庭谴责了韩裔律师Joseph Boaz Park（朴姓）的神操作，法庭称他“拙劣地起草”的遗嘱极为“古怪”。         Advertise with us          法庭文件显示，一名79岁的韩裔老婆婆于2020年1月找到朴律师，希望用自己的住房申请反向抵押贷款同时起草一份遗嘱。

C |          朴律师主要从事产权转让业务，在遗产法和遗嘱方面的经验十分有限。         3月下旬，老婆婆向朴律师提供了一份用韩文写成的遗嘱草稿，详细说明了她希望遗产在两个女儿之间进行分配。

D |          朴律师随后向她提供了英文版遗嘱，由自己作为执行人，并交给老婆婆签字。这份英文版遗嘱没有提供韩文对应副本。         英文遗嘱上写着，该女子希望“将我的全部财产给予、遗赠和交托给……我所说的律师”。         4月老婆婆因末期癌症去世，她的女儿们对遗嘱产生了疑问。他们指责朴律师策划了有利于他的遗嘱。         但法庭听证会上，朴律师对不当行为指控进行自辩。他说自己缺乏起草遗嘱的经验，并不是有心欺骗当事人家属。听证会还发现他的雇主律所对此事监管不力。         尽管客户家属对朴律师提出了多达10项指控，但法庭在责任认定书中表示：“我们没有发现任何可质疑朴先生作为执业者存在品格问题。

E | ”          但朴律师仍然因两方面的不当行为被判违纪：起草遗嘱的能力存在问题；对自己管理的遗产的受益人缺乏礼貌。         （图片来源：NZ Herald）          后一个不当行为主要发生在朴律师和客户大女儿之间。

F | 大女儿是一名传教士，母亲去世时正在海外。她回到新西兰后和朴律师的关系一开始就不顺利，之后更是提出多项指控。         最让大女儿质疑的是母亲为何会在弥留前申请反向抵押贷款。该贷款又称以房养老，由老人以自住房或土地作为抵押，向金融机构申请融资。老人健在时只需每月支付利息，无需偿还本金；老人去世后需以出售物业所得来归还贷款本金。         朴律师非常粗鲁的表示他不知道答案，他对大女儿说等她去天堂遇到母亲时，这些问题可以自己去问。身为基督徒的女儿当即被震惊到了。         整个交流过程双方都使用韩文，在书面联系时朴律师也是用的韩文。

G | ——尽管大女儿表示反对，并要求朴律师使用英文。         朴律师反对了大女儿的反对，他在电子邮件中写道：“也许你的外国人丈夫一直从中搞事……”          法庭认为“外国人丈夫”这个措辞的韩文表达没有英文表达这么冒犯，因此推定朴律师不是恶意的。但还是指出，他应该用客户家属要求的语言进行交流。         本周法庭做出处罚决定，决定称尽管朴律师在起草委托人的遗嘱时不称职，但整体表现显示他确有努力兑现委托人的遗愿。         判决书称：“简而言之，朴先生拙劣地起草了一份遗嘱，造成将整个遗产留给他自己的结果。

H | ”          “当律师在不熟悉的领域从事工作时，总是存在职业错误风险。

I | 本决定传达的信息是，即使任务看似简单，律师也必须小心谨慎和寻求协助。”          判决书称朴律师是一名诚实勤奋的法律从业者，但行为表现出一定程度的僵化，而且拒不认错。

J |          “他不愿承认错误或缺点。他在起草遗嘱方面的无能导致了古怪的结果，但他的行为表明其本意一直是执行客户的遗愿，因此不存在损失风险。”          法庭建议朴律师尊重客户家属的要求，用英文而不是韩文来进行交流；哪怕他自己觉得使用韩文“更舒坦”。

K |          最终法庭要求朴律师支付5000纽币罚款和支付1.7万纽币的法律费用，并要求他的雇主律所监督他未来两年的工作。         朴律师在庭后发布声明，称他尊重法庭判决和对他提出的建议。         注：本文为编译/原创，欢迎转发分享；但严禁复制等未经授权的非法使用。

L | 违反上述声明者，本网将追究其相关法律责任。使用授权请联系[email protected]。         chineseherald.co.nz All Rights Reserved 版权所有          (责编：twinkle)          相关内容                员工润去了黄金海岸，奥克兰市议会允许其远程工作           住豪宅、开法拉利，奥克兰华人毒枭承认是贩毒集团头目           奥克兰北岸绑架案：一男一女在酒吧被捕，绑架动机是......           彩虹活动被取消、人行道被破坏，新西兰仇恨犯罪又回来了？           可怕！北岸发生绑架案！还有人开枪！           疫情通报：过去一周新西兰新增3399例           总理公布未来三个月的“行动计划”，重点关注三个领域           新西兰“宝藏半岛”命运未决 知名大导演斥巨资购买取景地。

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